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Munsell color system: hue, value and chroma, charted for the 12 seasons

The Munsell color system describes any color with three qualities: hue (the name of the color), value (how light or dark it is) and chroma (how strong it is). Color analysis uses the same three ideas for undertone, depth and chroma. Pick a season below to see its palette on a value by chroma chart and on a hue ring.

By Ruslan ShchuchkinML engineer and data scientistPublished

Munsell color chart: a season palette by value and chroma

Pick a season. Each dot is one color of its palette, plotted by lightness and chroma, with a hue ring below.

020406080100020406080100120Chroma C* (0 is grey)Lightness L* (value)Salmon: L* 65, C* 36Soft terracotta: L* 56, C* 40Muted rust: L* 51, C* 42Warm rose beige: L* 65, C* 28Dusty brick: L* 57, C* 22Soft mulberry: L* 53, C* 25Warm mushroom: L* 53, C* 11Soft gold: L* 70, C* 35Wheat: L* 77, C* 35Moss gold: L* 64, C* 35Sage green: L* 58, C* 28Olive: L* 50, C* 21Muted forest: L* 49, C* 14Soft teal: L* 57, C* 14Dusty blue: L* 62, C* 12Slate blue: L* 48, C* 13Soft plum rose: L* 63, C* 17Soft peach beige: L* 79, C* 17Pecan: L* 53, C* 20Rosewood: L* 69, C* 15
Soft Autumn: one dot for each palette color, in its own color. The cross is the mean of the palette (L* 60, C* 24).
020406080100020406080100120Chroma C* (0 is grey)Lightness L* (value)Light Spring: mean L* 79, mean C* 37True Spring: mean L* 66, mean C* 58Bright Spring: mean L* 69, mean C* 79Light Summer: mean L* 74, mean C* 22True Summer: mean L* 60, mean C* 30Soft Summer: mean L* 63, mean C* 15True Autumn: mean L* 50, mean C* 45Deep Autumn: mean L* 36, mean C* 38Deep Winter: mean L* 41, mean C* 43True Winter: mean L* 56, mean C* 55Bright Winter: mean L* 64, mean C* 75Soft Autumn: mean L* 60, mean C* 24
The mean of each of the 12 palettes. The dashed box is their range. The filled dot is Soft Autumn.

Across the 12 palettes, the mean lightness runs from L* 36 (Deep Autumn) to 79 (Light Spring), and the mean chroma from C* 15 (Soft Summer) to 79 (Bright Spring). Soft Autumn has a mean L* of 60, which is 7th lightest of 12, and a mean C* of 24, which is 10th strongest of 12.

Soft mulberry: hue 2 degrees, C* 25Dusty brick: hue 22 degrees, C* 22Soft terracotta: hue 39 degrees, C* 40Salmon: hue 40 degrees, C* 36Muted rust: hue 45 degrees, C* 42Warm rose beige: hue 46 degrees, C* 28Rosewood: hue 52 degrees, C* 15Warm mushroom: hue 66 degrees, C* 11Pecan: hue 68 degrees, C* 20Soft peach beige: hue 68 degrees, C* 17Soft gold: hue 86 degrees, C* 35Wheat: hue 89 degrees, C* 35Moss gold: hue 97 degrees, C* 35Sage green: hue 115 degrees, C* 28Olive: hue 126 degrees, C* 21Muted forest: hue 160 degrees, C* 14Soft teal: hue 176 degrees, C* 14Dusty blue: hue 231 degrees, C* 12Slate blue: hue 258 degrees, C* 13Soft plum rose: hue 352 degrees, C* 17Soft Autumn20 of 20 colors on the ring
Each dot is a palette color, placed by its CIELAB hue angle. The ring behind it shows the hue at that angle. Angles: 0 degrees points to the red-pink side (+a*), 90 to the yellow side (+b*), 180 to the green side (-a*) and 270 to the blue side (-b*). Dots that would overlap step outward. Soft Autumn covers 9 of the 12 sectors of 30 degrees.
The numbers behind the dots
ColorL*C*Hue angle
Salmon653640°
Soft terracotta564039°
Muted rust514245°
Warm rose beige652846°
Dusty brick572222°
Soft mulberry53252°
Warm mushroom531166°
Soft gold703586°
Wheat773589°
Moss gold643597°
Sage green5828115°
Olive5021126°
Muted forest4914160°
Soft teal5714176°
Dusty blue6212231°
Slate blue4813258°
Soft plum rose6317352°
Soft peach beige791768°
Pecan532068°
Rosewood691552°
Our example face against the Soft Autumn palette
Example face, not yours

See Soft Autumn on a face

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Rows of paint chips on a white sheet, light to dark from top to bottom and soft to vivid from left to right
An illustration made with an image model, not a photo of real products. The charts above are the computed ones.

The Munsell color system: three qualities

A. H. Munsell described any color with three qualities: hue, value and chroma [1]. Color analysis keeps the same three ideas and gives them the names people use when they shop.

Hue
The name of the color: red, yellow, green, blue and so on. In color analysis the hue lean of the skin is the undertone, warm or cool.
Value
How light or dark the color is. In color analysis this is depth, from light to deep.
Chroma
How strong the color is, from grey to vivid. In color analysis it is how bright or soft the coloring is.

The idea is the same on a face and on a sweater, so one set of words can describe both. Read the wider picture in color theory for clothes and skin tone.

Reading the Munsell color chart on this page

A Munsell color chart arranges colors by those three qualities. Ours does the same job with CIELAB numbers: lightness L* goes up the side and chroma C* goes along the bottom. Hue is not on this chart. The ring shows it.

The seasons separate on it in a way you can see. The strongest Soft Summer color has a C* of 28, and the softest Bright Spring color has a C* of 45. Across the 12 palettes, the mean lightness runs from L* 36 (Deep Autumn) to 79 (Light Spring). The palette colors themselves reach from L* 22 in Deep Autumn to L* 90 in Light Spring.

Munsell color wheel: the hue ring

A Munsell color wheel puts hue in a circle. The ring in the demo does the same with the CIELAB hue angle, which is worked out from a* and b*. Zero degrees points to the red-pink side, 90 to yellow, 180 to green and 270 to blue.

A season palette is not one hue. Each of the 12 palettes has colors in 8 to 12 of the 12 sectors of the ring. Undertone is a lean in hue, not a range of hues you are allowed to wear. See warm vs cool colors and the color wheel for clothes.

The 1943 renotation

In 1943 a committee of the Optical Society of America published the revised spacing of the Munsell colors, called the renotation [2]. We cite it for the date and the name only. This site does not use Munsell notation, and it does not claim that any palette color has a particular Munsell number.

From Munsell to CIELAB: what our analysis measures

The CIE publishes the standard that defines CIELAB, which describes a color with three numbers: L*, a* and b* [3]. L* is lightness. Chroma C* comes from a* and b*, and so does the hue angle. L* is close to Munsell value and C* is close to Munsell chroma in meaning. They are not equal, and we never convert one to the other.

Munsell qualityColor analysisCIELAB numberOur analysis scores
HueUndertonehue angleThe temperature axis, cool to warm
ValueDepthL*The value axis, deep to light
ChromaChromaC*The chroma axis, soft to bright

Our chroma axis is mostly not the C* of one color. When our analysis can see the hair, 70% of that axis is the lightness gap between hair and skin, which is the contrast trait, and 30% is the chroma of the skin. The axis keeps the name chroma, and the charts above plot the C* of palette colors, not that axis.

What the evidence does not support

  • That the value and chroma of a color tell you what suits a face. They describe the color. In one study, observers chose warmer, more saturated and darker clothing for faces with darker eyes, and skin color had little effect [4].
  • That a color system proves the seasons. The authors of one study note that the categories stylists build from skin, hair and eye color are not scientifically defined [5]. We found no peer-reviewed study that tests whether seasonal color analysis is valid.

What this chart cannot tell you

  • It cannot give you a season. It plots palette colors. It does not look at a face.
  • It is Munsell-style, not Munsell. The numbers are CIELAB, and the colors are the ones in our dataset, picked for clothes. They were not measured from paint chips.
  • Your screen shows a limited range of color (sRGB), and screen settings change how every dot looks. The numbers do not change.
  • The mean of a palette is one number for 20 colors. Two palettes with the same mean can look quite different.
  • For your own result, use a photo in daylight. How it works and how often it is right.

How we made this

Each palette hex in lib/seasons.ts is read into CIELAB with lib/color.ts. L* is the lightness, C* is the length of (a*, b*), and the hue angle is atan2(b*, a*) in degrees. The mean L* and C* of each palette are the ones from lib/traits.ts, and the dashed box on the second chart is their range over the 12 seasons.

The ring segments are colors made at a fixed lightness and chroma and fitted to the screen range. A palette color with a C* under 8 is close to grey, has no hue worth placing, and stays off the ring. When two dots would overlap, one steps outward to the next lane. Hue angle and position are all that the ring shows.

Sources

  1. Munsell, A. H. (1905). A Color Notation. Boston: Munsell Color Co. openlibrary.org/works/OL1560367W
  2. Newhall, S. M., Nickerson, D., & Judd, D. B. (1943). Final report of the OSA Subcommittee on the Spacing of the Munsell Colors. Journal of the Optical Society of America, 33(7), 385. doi.org/10.1364/JOSA.33.000385
  3. CIE (2018). CIE 015:2018 Colorimetry, 4th Edition. Vienna: Commission Internationale de l'Eclairage. doi.org/10.25039/TR.015.2018
  4. Perrett, D. I. (2025; online first 23 Oct 2023). Eye color is more important than skin color for clothing color aesthetics. Psychology of Aesthetics, Creativity, and the Arts, 19(5), 1099-1110. doi.org/10.1037/aca0000626
  5. Perrett, D. I., & Sprengelmeyer, R. (2021). Clothing aesthetics: Consistent colour choices to match fair and tanned skin tones. i-Perception, 12(6), 1-22. doi.org/10.1177/20416695211053361

How this is different from other color analysis tools

  1. 01

    Your photo stays on your device

    Many photo apps upload your selfie and read it on their server (see our comparison). Ours measures it in your browser. There is no upload.

  2. 02

    The result is free

    Your season and palette, with no account and no email. At least one app in our comparison takes payment before you see any result.

  3. 03

    A close call says so

    Every result names the runner-up season and how close the call was. Borderline is a result we print.

  4. 04

    We publish our accuracy

    We tuned the method on faces that experts had labelled by season, then tested it on 410 celebrity photos we collected. The results, misses included.

How the photo analysis works, step by step

Questions

What is the Munsell color system?

A way to describe any color with three qualities: hue, value and chroma. Hue is the name of the color, value is how light or dark it is, and chroma is how strong it is. A. H. Munsell set it out in his 1905 book A Color Notation. [1]

What is a Munsell color chart?

A chart that arranges colors by hue, value and chroma. The chart on this page does the same job with the CIELAB numbers our analysis uses: lightness L* up the side and chroma C* along the bottom, with one dot for each color of a season palette. It is a Munsell-style chart, not a copy of Munsell's own. [1] [3]

What is the Munsell color wheel?

The hues in a circle. The ring on this page places each palette color by its CIELAB hue angle, the angle you get from a* and b*. It is not a Munsell hue, and we do not convert between the two. [3]

What are hue, value and chroma?

Hue is the name of a color, such as red or green. Value is how light or dark it is. Chroma is how strong it is, from grey to vivid. Color analysis uses the same three ideas: undertone is a lean in hue, depth is value, and chroma keeps its name. [1]

Is CIELAB the same as Munsell?

No. Both describe a color with a lightness number and a strength number, so L* is close to Munsell value and C* is close to Munsell chroma in meaning. They are not equal, and this site does not turn one into the other. Our analysis works in CIELAB. [1] [3]

Can the Munsell system tell me my color season?

No. It describes a color, not a person. It can show how light and how strong the colors of a season palette are. Which palette suits a face is a separate question, and we found no peer-reviewed study that tests it. [5]

What you can do on this page

This page has an interactive Munsell-style chart. A visitor picks one of the 12 seasons and sees its palette plotted by lightness and chroma, one dot per color in its own color, next to the mean of all 12 palettes and a hue ring that places each color by its hue angle. A table gives the numbers behind every dot. The page then offers the free photo analysis, which measures undertone, depth and chroma (with contrast inside the chroma reading) from one selfie in the browser, with no upload and no account.

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